DADA KONDKE PUNS MOVIE

Kolhapur in Western Maharashtra was another centre of active film production in the twenties. He brought the revolution of moving images to India with his first indigenously made film Raja Harishchandra in 1913, which is considered by IFFI and NIFD as part of Marathi cinema as it used Marathi dialogues while shooting and had a fully Marathi crew. Дadasaheb Phalke is known as the first pioneer and founder of cinema in pre-Independence India.

DADA KONDKE PUNS MOVIE

The first Marathi movie released in India was Shree Pundalik by Dadasaheb Torne on at Coronation Cinematograph, Mumbai. Marathi cinema is the oldest form of Indian cinema. It is also known by the sobriquet Mollywood in various print and online media (a portmanteau of Marathi and Hollywood). The Dadasaheb Phalke Award is India's highest award in cinema given annually by the Government of Maharashtra for lifetime contribution to Indian cinema. Raja Harishchandra, directed by Dadasaheb Phalke, was a Marathi film, now known as India's first full-length feature, released in 1913. Although the industry is much smaller than the large market driven Hindi cinema based in Mumbai, Marathi cinema is tax free, and is experiencing growth in recent years.

The first Marathi talkie film, Ayodhyecha Raja, was released in 1932, just one year after Alam Ara the first Hindi talkie. and a Marathi crew who were performing Marathi and Sanskrit Sangeet natikas (musicals) and plays in Marathi at that period. The first Marathi film to be released in India was Shree Pundalik by Dadasaheb Torne on at Coronation Cinematograph, Mumbai. Based in old Mumbai, it is the oldest and pioneer film industry of Indian cinema. Maybe you can watch then, till then get entertained by вЂњchala hawa yevu dyaвЂќ or вЂњMaharashtrachi Hasya jatraвЂќ and have a hearty laughter.Marathi cinema refers to Indian films produced in Marathi, the language of the state of Maharashtra, India. Movie is produced by Zee hence I am sure it will soon be available on Zee5 OTT platform soon. There are few moments of Bhau and Kushal which generate laughter but alas such moments are few. Insipid script with typical Hindi film Wala plot (assassination plot of a leader and how Pandu fails this plot), forced cheap meaning dialogues, item songs / dances, amateurish action scenes, childish slapstick moments, all put together has spoiled the broth. In my view, had someone like Nilesh Sable (he is the writer / director of Chala hawa yevu dya) was involved in scripting of Pandu then I am sure the result would have been different. No doubt the makers had packed the movie with some wonderful cast, Kushal Badrike & Bhau kadam who regularly create ruckus and laugh riot on the stage of вЂњChala Hawa yeu dyaвЂќ were cast as two constables (the roles which were made immortal by greats like Dada Kondke and Ashok Saraf), Hulkish Praveen Tarade, Hazel eyed Sonali Kulkarni, Music by Avadhoot Gupte, but in vain together they failed to create a magic on screen. I am sure if Dada was alive now and had he seen this Viju Mane directed вЂњPanduвЂќ, then in his inimitable style would have said вЂњVajvu ka?вЂќ (This incidentally is one of the movie titles of Dada kondke). A few films that I recall are Songadya, Ekta Jiv Sadashiv, Ram Ram Gangaram, Aali Angawar, and Pandu hawaladar. I grew up watching movies of this multi-faceted personality he was a director, producer, lyricist, writer, and a flawless performer known for his comic timing and double entendre dialogues. It is disappointing to say that a film that begins by paying homage to a legend вЂњShahir Dada KondkeвЂќ ends up being a big joke. а¤µа¤ѕа¤ња¤Љ а¤•а¤ѕ (Vajvu ka)?- My quick take on Marathi movie вЂњPanduвЂќ

Dada kondke puns